Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.

A documentary on the genesis, writing, shooting and analysis of the film "The Name of the Rose".

The corpse of a man, a bovine tag attached to his neck with the words "Can they suffer? "is found in a large slaughterhouse and meat packing plant in the Manosque region. The suspicions of the young inspector Samira Masson, whose first investigation this is, naturally lead her to an association for the defence of the animal condition which had been orchestrating a media hype against the company for some time. But the corpse turns out to be that of an undercover cop, belonging to a genuine and little-known division of the police, specialising in national veterinary surveillance. Etienne Barjac, commander of the IGPN, the police force, is sent to investigate.

A staging of José Pliya's play "Britannicus" by Jean-Michel Ribes.

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To close France Music Week, an international music week organized from June 16 to 21 by the Ministry of Culture and the National Music Center, we invite you to join us on Saturday, June 21 at 9:10 p.m. in the heart of the Louvre Museum grounds, in the Carrousel gardens, for the Fête de la Musique concert presented by Daphné Bürki and Mohamed Bouhafsi.

A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.

Emma is bringing up her son Oscar alone. Her life is divided between her work, her voluntary work as a public writer, her lover and her son. Oscar gradually sinks into melancholy, his existential questions echoing those of his mother.